Dramatic family · Vertical + Narrow
DramaticD
A long, narrow silhouette that reads as one clean vertical line.
Read Dramatic →The reference
Ten current Image Identities, three retired 1987 types, five families. Each entry gives the line formula, the physical cues and the styling direction — without ranking one type above another.
New to the system? Start with 13 types or 10? then take the 18-question test.
How to read the diagrams. The wine line is the dominant line. The gold marks show the secondary trait. A dashed outline means a small, petite scale; brackets mean balance; outward arrows mean width. These are not body illustrations and they are not to scale.
Sharp yang · Length and precision
The Dramatic family is built on length, narrowness and a clean edge. Its two current identities differ on whether curve interrupts that line.
Dramatic family · Vertical + Narrow
A long, narrow silhouette that reads as one clean vertical line.
Read Dramatic →Dramatic family · Vertical + Curve
A long vertical line with curve laid over it; the bones stay large and angular.
Read Soft Dramatic →Blunt yang · Width and ease
The Natural family is built on breadth through the shoulder and upper back, with blunt rather than sharp bones. Ease matters more than precision.
Natural family · Vertical + Width
A long line with breadth through the shoulder and upper back; blunt rather than sharp.
Read Flamboyant Natural →Natural family · Retired in 2025Retired
The original middle of the Natural family: relaxed, broad and unconstructed. Retired in the 2025 system.
Historical type. Start with Flamboyant Natural or Soft Natural.
Read Natural →Natural family · Curve + Width
Soft curve on a frame with visible width across the shoulders; relaxed, not sharp.
Read Soft Natural →Balanced · Proportion and control
The Classic family is built on balance: even proportions, moderate scale and a smooth line. The two current identities lean slightly yang or slightly yin.
Classic family · Vertical + Balance
A tailored, symmetrical line with a crisp yang edge; nothing oversized, nothing ornate.
Read Dramatic Classic →Classic family · Retired in 2025Retired
The original balanced type: even proportions, moderate scale and no dominant extreme. Retired in the 2025 system.
Historical type. Start with Dramatic Classic or Soft Classic.
Read Classic →Classic family · Curve + Balance
A balanced frame with soft, rounded flesh; smooth and symmetrical rather than sharp.
Read Soft Classic →Yin-yang contrast · Small scale, broken line
The Gamine family is built on contrast rather than blend: small scale, a compact or broken line, and a crisp, animated finish.
Gamine family · Vertical + Petite
Small scale with a long, broken line; sharp, boxy and animated rather than smooth.
Read Flamboyant Gamine →Gamine family · Retired in 2025Retired
The original even yin-yang contrast: compact, fitted and animated. Retired in the 2025 system.
Historical type. Start with Flamboyant Gamine or Soft Gamine.
Read Gamine →Gamine family · Curve + Petite
Small, rounded and curvy on a delicate frame, with crisp edges in the detail.
Read Soft Gamine →Lush yin · Curve and softness
The Romantic family is built on curve, soft flesh and rounded lines. Its two current identities differ on how narrow the underlying frame is.
Romantic family · Curve + Narrow
Lush curve on a narrow, delicate frame with a faint sharp edge.
Read Theatrical Romantic →Romantic family · Curve + Double curve
The most yin type: full double curve, soft flesh and rounded lines throughout.
Read Romantic →Kept for reference · not test outcomes
These were part of the 1987 thirteen-type system. The current ten-identity system treats them as family centres rather than final identities.
The 1987 book listed thirteen. The current system keeps ten identities and retires the three pure middle types: Natural, Classic and Gamine. This page shows all thirteen so older charts still make sense, but only the ten current identities are test outcomes.
The wine line is the dominant line: straight for vertical, curved for curve. The gold and navy marks show the secondary trait — narrow, width, balance, petite, curve or double curve. They are diagrams of a styling idea, not body drawings.
Because most published charts, books and forum posts still use the thirteen-type vocabulary. Removing the three pages would leave readers without a bridge. Each retired page explains which two current identities to compare instead.